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Harmony 1260 - 1965Harmony 1260 - 1966Harmony 1260 - 1966Fender Wildwood - 1967Fender Wildwood - 1967Fender Wildwood - 1967Fender Wildwood - 1967
Gibson SJN - 1967Epiphone Acoustics - 1967Harmony 1260 - 1967Harmony Acoustic Guitars - 1967Fender Newporter - 1968Gibson B25-12 - 1968Gibson Flattops - 1968
Hofner Vienna - 1968Gibson J-160E - 1969Gretsch Flat tops - 1969Martin D45 - 1969Ovation Acoustics - 1969Epiphone Acoustics - 1970Gibson Flattops - 1971
Martin D12-28 - 1971Fender Acoustics - 1972Gibson Flattops - 1972Gibson Flattops - 1972Yamaha Acoustics - 1972Yamaha Acoustics - 1972Ovation Acoustics - 1972
Madeira Guitars - 1972Guild Mark V - 1973Martin Guitars - 1973Gibson Gospel - 1974Ovation 1613-4 - 1974Ovation Balladeer - 1976Guild F-412 - 1979
Guild F-50 - 1979Guild D-55 - 1979Guild D-40-C - 1979Guild F-37 - 1980


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Gibson Flying V Electric Guitar
Gibson Flying V Electric Guitar

This axe was made for one thing... bold, aggressive, full-tilt boogie.

Check the features: solid mahogany body for super fat tone, extended neck joint for stability and solid sustain, tune-o-matic bridge with stopbar tailpiece, and rosewood fingerboard with premium chrome hardware. A 496R Hot Ceramic pickup in the neck position and a 500T Super Ceramic in the bridge deliver smokin' tone.

Gibson Les Paul Standard 50s Neck
Gibson Les Paul Standard 50s Neck Heritage Cherry Sunburst Nickel Hardware

Exclusive Alnico V pickups with classic neck and head.
The feel and sound of the original '50s LP comes from a classic, hefty neck design with the smaller peghead, push-in-bushing green tuning keys, and nickel hardware. Staggering looks with brilliant transparent finishes on figured maple tops. Burstbucker V pickups feature Alnico V magnets like those used in the P90s from the '50s. One coil has more wraps than the other, as did most '50s and early '60s "Patent Applied For"s. These waxed, double-potted pickups deliver a tighter, balanced, biting tone with more midrange. Mahogany body and neck withrosewood fretboard. Includes hardshell case.

Epiphone John Lennon 1965 Casino Electric Guitar
Epiphone John Lennon 1965 Casino Electric Guitar

The Epiphone John Lennon 1965 Casino Electric Guitar has a heritage as fascinating as the man whose name it bears. In 1966, during the recording of "Revolver," John Lennon and George Harrison acquired sunburst Epiphone Casino guitars. John was taken by his new guitar and made it his main axe from that point on, using several different versions over the ensuing years. In cooperation with Yoko Ono, Epiphone introduces 2 Limited Edition Lennon Casino guitars. The '65 Casino is a reproduction of the original guitar John purchased with its sunburst finish and stock hardware. In 1968, John had his Casino sanded down to bare wood and finished with a thin, dull coat of lacquer. He first used this "natural Casino in "The White Album sessions of '68. The John Lennon Revolution Casino is a reproduction of this stripped guitar as it remains today, featuring one coat of lacquer, gold Grover tuners, and the pickguard removed. A combined total of 1,965 of these individually hand-numbered, historic guitars have been produced, and a portion of the proceeds from the sale of each goes to the BMI Foundation for the John Lennon Scholarship Fund which supports music education. Limited lifetime warranty. Epiphone includes a hardshell case wiht the '65 John Lennon Casino Electric Guitar.

Allen Woody Rumblekat bass
Epiphone Allen Woody Limited Edition Bass Wine Red

Woody, who passed away in August 2000, was an avid collector of vintage Epiphone basses, and this signature model combines the features that Woody found best for playing in his aggressive, rumbling style. It has a semi-hollow, single-cutaway, archtop body similar to that of Epiphone's Kat series but without f-holes. The neck is a 30" short scale for easier play. Mini-humbucking pickups in the neck and middle position deliver a warm tone. Gold hardware.