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1958 Gibson Electric Guitars and Amplifiers Catalogue page 12


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Gibson 1958 electric guitars and amplifiers catalogue, page 12. Details of the Gibson ES-140T ¾ and ES-125T ¾ guitars

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1958 Gibson Electric Guitars and Amplifiers Catalogue page 12 - ES-140T ¾ and ES-125T ¾


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Gibson Firebird VII Electric Guitar
Gibson Firebird VII Electric Guitar Red Metallic Gold Hardware

Performance, playability, and styling are the hallmarks of the Firebird VII. When first introduced in 1963, the Firebird VII was celebrated for its natural feel, fast action, and wide range of tone. With its 9-ply mahogany and walnut neck-thru-body design, 6-in-a-line banjo-style machine heads and adjustable ABR bridge with Vibrola tailpiece, this guitar became the rage. The new Firebird VII also features replicas of Gibson's high-output mini humbucker producing bright and focused output, while retaining the famous Gibson humbucker performance. The ebony fingerboard and Lyre Vibrola add to its expressive range.

Gibson Faded SG Special
Gibson Faded SG Special

The Special has always represented a combination of looks, functionality, and value, and the new Faded SG Special maintains this tradition. Under its attractive faded finish, it is the traditional SG, with mahogany body and neck, tune-o-matic/stopbar bridge, and alnico 490 pickups. Its faded finish gives it the look of an axe that started its rockin' days in the '60s.

Gibson Angus Young Signature SG
Gibson Angus Young Signature SG Nickel Hardware

A faithful reproduction of Young's trademark axe! It's exact, even down to the worn engraving on the Lyre Vibrola tailpiece. Mahogany body and neck, 22-fret rosewood fingerboard with pearl trapezoid inlays, single-bound neck, nickel hardware, a '57 Classic humbucker (neck), an Angus Signature humbucker (bridge), and devil graphic on headstock. Definitely a guitar that's made to rock "all night long."

Gibson Custom Shop L-4 CES
Gibson Custom Shop L-4 CES Mahogany Electric Guitar Natural

All of Gibson's century-long experience crafting high-quality archtop instruments can be felt when you lay your hands on this delicious, full-bodied jazz machine. The precision-carved solid spruce top emits a sonorous, silky, deep, rich tone. Full binding with a sharp multi-ply binding on the top combines with a multilayer pickguard, goldtop-style knobs, pearl parallelogram inlays on the ebony fretboard, a substantial gold-plated brass tailpiece, and an ABR-1 bridge with pearl inlays in the ebony base to make this one astoundingly gorgeous electric guitar with vintage appeal. But the real beauty rings through when you plug it in. 2 - '57 Classic Humbuckers with individual volume and tone controls generate a phenomenally smooth sound with a thick midrange, more tonal options than you might expect, and great response to the top's vibrant resonance. The Gibson L-4 CES has a carved solid mahogany rims and back, one-piece mahogany neck.