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Gibson Firebird VII Electric Guitar Red Metallic Gold Hardware
 Performance, playability, and styling are the hallmarks of the Firebird VII. When first introduced in 1963, the Firebird VII was celebrated for its natural feel, fast action, and wide range of tone. With its 9-ply mahogany and walnut neck-thru-body design, 6-in-a-line banjo-style machine heads and adjustable ABR bridge with Vibrola tailpiece, this guitar became the rage. The new Firebird VII also features replicas of Gibson's high-output mini humbucker producing bright and focused output, while retaining the famous Gibson humbucker performance. The ebony fingerboard and Lyre Vibrola add to its expressive range. 
Gibson Les Paul Standard 50s Neck Heritage Cherry Sunburst Nickel Hardware
 Exclusive Alnico V pickups with classic neck and head.
The feel and sound of the original '50s LP comes from a classic, hefty neck design with the smaller peghead, push-in-bushing green tuning keys, and nickel hardware. Staggering looks with brilliant transparent finishes on figured maple tops. Burstbucker V pickups feature Alnico V magnets like those used in the P90s from the '50s. One coil has more wraps than the other, as did most '50s and early '60s "Patent Applied For"s. These waxed, double-potted pickups deliver a tighter, balanced, biting tone with more midrange. Mahogany body and neck withrosewood fretboard. Includes hardshell case.

Gibson Thunderbird IV Active Bass Zebra Wood
 The Thunderbird IV debuted in 1963 with the original Firebird guitar series. The most highly respected of all Gibson basses, the Thunderbird was reissued in 1987 with original reverse body styling and new, special-design pickups. This limited edition T-Bird features a gorgeous zebrawood body as well as two TB Plus ceramic magnet humbuckers to dish out the rumble necessary for heavy rock and blues. 
Gibson Custom Shop L-5 CES Electric Guitar
 Tone and beauty for artistic performance!
The depth and mellowness of the Gibson L-5 CES is winning acclaim for this fine jazz guitar from the most discriminating artists. The tonal quality of the acoustic guitar and the advantages of an electric are combined in one instrument. Very few carved guitars are built each year because of the scarcity of the wood required and the handcrafting involved. The building of the L-5s is overseen by Jim Hutchins, a Gibson Builder since 1963. The process has remained relatively unchanged since the 1950s, including the hand-tuning of the top and back. Guitarists sing the praises of the comfortable vintage neck; the fast, easy action; and the rich beauty of the carved spruce top. Other features on the Gibson guitar include a figured, carved maple back with solid maple rims; a pearl inlaid ebony fingerboard; and beautiful multi white-black binding. With the creation of the L-5 in the 1920s, the modern archtop guitar was invented and it has set the standard for all carved guitars that have followed. (Click on "Private Reserve" at left to see more gorgeous pics.) |