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1966 Gibson Full Line catalogue page 12
Firebirds III, V and VII


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Gibson 1966 Full Line catalogue. page 12. Details of the Gibson Firebird VII, V and II guitars

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1966 Gibson Full Line catalogue page 12 - Firebirds III, V and VII


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Gibson Firebird Studio Guitar
Gibson Firebird Studio Guitar Cherry Chrome hardware

It has the classic reverse-shape body, but with a conventional set neck, mini-Grover tuners on the side of the headstock, a tapered body, and the traditional Gibson dual-humbucker sound. Mahogany body and neck. Its studio finish and simpler hardware retain Gibson's high-quality sound and feel. Black reptile pattern hardshell case with dark grey plush interior, black shroud, and silkscreened silver Gibson USA logo.

Gibson SG Supreme Bass
Gibson SG Supreme Bass Natural

Gibson's classic dual-pickup, short scale, SG bass, has been updated with a beautiful AAA flame maple top and natural satin finish. With a slim neck for effortless playability, the SG Supreme AAA Maple bass is fast, powerful, and beautiful. A vintage-style TB Plus bass humbucker neck pickup coupled with a bass Mini-humbucker at the bridge delivers trademark tone. A real stunner.

Gibson Les Paul Standard 50s Neck
Gibson Les Paul Standard 50s Neck Heritage Cherry Sunburst Nickel Hardware

Exclusive Alnico V pickups with classic neck and head.
The feel and sound of the original '50s LP comes from a classic, hefty neck design with the smaller peghead, push-in-bushing green tuning keys, and nickel hardware. Staggering looks with brilliant transparent finishes on figured maple tops. Burstbucker V pickups feature Alnico V magnets like those used in the P90s from the '50s. One coil has more wraps than the other, as did most '50s and early '60s "Patent Applied For"s. These waxed, double-potted pickups deliver a tighter, balanced, biting tone with more midrange. Mahogany body and neck withrosewood fretboard. Includes hardshell case.

Gibson Custom Shop L-4 CES
Gibson Custom Shop L-4 CES Mahogany Electric Guitar Natural

All of Gibson's century-long experience crafting high-quality archtop instruments can be felt when you lay your hands on this delicious, full-bodied jazz machine. The precision-carved solid spruce top emits a sonorous, silky, deep, rich tone. Full binding with a sharp multi-ply binding on the top combines with a multilayer pickguard, goldtop-style knobs, pearl parallelogram inlays on the ebony fretboard, a substantial gold-plated brass tailpiece, and an ABR-1 bridge with pearl inlays in the ebony base to make this one astoundingly gorgeous electric guitar with vintage appeal. But the real beauty rings through when you plug it in. 2 - '57 Classic Humbuckers with individual volume and tone controls generate a phenomenally smooth sound with a thick midrange, more tonal options than you might expect, and great response to the top's vibrant resonance. The Gibson L-4 CES has a carved solid mahogany rims and back, one-piece mahogany neck.