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Gibson Custom Shop L-4 CES 3-Pickup Vintage Sunburst one of a kind electric guitar
 Even though Gibson had originally created the laminated top ES-175 in 1948 to fill the need for an electric version of the acoustic, carved-top L-4C, the demand still existed for an electric L-4 with a fully carved top. In the late 1950s, Gibson answered this call by releasing small runs of variously configured L-4 CES guitars, some with Charlie Christian pickups, some with alnico pickups, and some with humbuckers. This Gibson L-4 CES 3-Pickup Vintage Sunburst one-of-a-kind electric guitar is a modification of the final incarnation of the L-4 CES with 3 - '57 Classic humbuckers and solid mahogany back and sides.

Gibson SG Reissue 4-String Bass Heritage Cherry Sunburst Chrome Hardware
 The small, fast bass.
Gibson's classic dual-pickup SG bass from the '60s is back! It has the 30-1/2" short scale of the original, as well as its slim, fast neck. Mahogany body and neck. It features a vintage-style TB Plus neck humbucker and a mini-humbucker at the bridge for wide tonal range. Includes hardshell case.
Also available in Ebony 
Gibson B.B. King Lucille Electric Guitar Black
 Own the Gibson B.B. King Lucille Electric Guitar and you'll own the smoothest, sweetest blues axe out there. Features a laminated maple top for total sustain, a solid maple center block, special laminated maple neck and ebony fingerboard. Stereo/mono jacks require no special cords; TP-6 tailpiece allows precise tuning. Also includes the name "Lucille" scripted in mother-of-pearl on the headstock and gold-plated hardware
available in black and cherry 
Gibson Flying V Electric Guitar
 This axe was made for one thing... bold, aggressive, full-tilt boogie.
Check the features: solid mahogany body for super fat tone, extended neck joint for stability and solid sustain, tune-o-matic bridge with stopbar tailpiece, and rosewood fingerboard with premium chrome hardware. A 496R Hot Ceramic pickup in the neck position and a 500T Super Ceramic in the bridge deliver smokin' tone.
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