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Gibson 1963 ES-335 Historic Block Reissue Nickel Hardware
 A Custom Shop marvel with the fleet feel and luxury looks of the fastest 335 ever.
In mid-1962 Gibson's fantastically popular thinline semihollow wonder machine adopted a thinner, faster neck profile and gorgeous pearloid block inlays to enhance the rosewood fretboard. This precision Historic reissue is identical in every way to the original. It's made on the original forms by some of the world's finest luthiers. 
Gibson ES-137 Custom Electric Guitar Light Burst Gold Hardware
 Based on the ES-137 Classic, the Gibson ES-137 Custom Electric Guitar is the first Gibson archtop to employ a mahogany center block for reduced feedback and greater sustain. Other features are all Gibson deluxe: laminated curly maple body, binding on top and bottom, bound fingerboard, bound peghead, ebony fingerboard, split-diamond overlay headstock, pearloid split-diamond fingerboard inlays, 6-way Varitone switch that filters tone from fat to thin, and '57 Classic pickups (the original Gibson humbuckers from 1957). The magnets and 42-gauge enamel-coated wire are from the original suppliers and the pickups are built by Gibson on the original machinery. available in candy apple red, cherry sunburst, light burst and tri-burst 
Gibson Firebird VII Electric Guitar Red Metallic Gold Hardware
 Performance, playability, and styling are the hallmarks of the Firebird VII. When first introduced in 1963, the Firebird VII was celebrated for its natural feel, fast action, and wide range of tone. With its 9-ply mahogany and walnut neck-thru-body design, 6-in-a-line banjo-style machine heads and adjustable ABR bridge with Vibrola tailpiece, this guitar became the rage. The new Firebird VII also features replicas of Gibson's high-output mini humbucker producing bright and focused output, while retaining the famous Gibson humbucker performance. The ebony fingerboard and Lyre Vibrola add to its expressive range. 
Gibson Custom Shop L-5 CES Electric Guitar
 Tone and beauty for artistic performance!
The depth and mellowness of the Gibson L-5 CES is winning acclaim for this fine jazz guitar from the most discriminating artists. The tonal quality of the acoustic guitar and the advantages of an electric are combined in one instrument. Very few carved guitars are built each year because of the scarcity of the wood required and the handcrafting involved. The building of the L-5s is overseen by Jim Hutchins, a Gibson Builder since 1963. The process has remained relatively unchanged since the 1950s, including the hand-tuning of the top and back. Guitarists sing the praises of the comfortable vintage neck; the fast, easy action; and the rich beauty of the carved spruce top. Other features on the Gibson guitar include a figured, carved maple back with solid maple rims; a pearl inlaid ebony fingerboard; and beautiful multi white-black binding. With the creation of the L-5 in the 1920s, the modern archtop guitar was invented and it has set the standard for all carved guitars that have followed. (Click on "Private Reserve" at left to see more gorgeous pics.) |