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Gibson Firebird Studio Guitar Cherry Chrome hardware
It has the classic reverse-shape body, but with a conventional set neck, mini-Grover tuners on the side of the headstock, a tapered body, and the traditional Gibson dual-humbucker sound. Mahogany body and neck. Its studio finish and simpler hardware retain Gibson's high-quality sound and feel. Black reptile pattern hardshell case with dark grey plush interior, black shroud, and silkscreened silver Gibson USA logo. 
Gibson Faded Flying V
New faded finish gives it the look of a seasoned performer.
When the original V came out in '58, it was ahead of its time. When it was reissued 9 years later, it became a favorite of progressive rockers and still is to this day. This Faded Flying V has all the features and specs of the '67 model and the look of a guitar that has been loved and cared for since those early days.
Gibson ES-137 Custom Electric Guitar Light Burst Gold Hardware
Based on the ES-137 Classic, the Gibson ES-137 Custom Electric Guitar is the first Gibson archtop to employ a mahogany center block for reduced feedback and greater sustain. Other features are all Gibson deluxe: laminated curly maple body, binding on top and bottom, bound fingerboard, bound peghead, ebony fingerboard, split-diamond overlay headstock, pearloid split-diamond fingerboard inlays, 6-way Varitone switch that filters tone from fat to thin, and '57 Classic pickups (the original Gibson humbuckers from 1957). The magnets and 42-gauge enamel-coated wire are from the original suppliers and the pickups are built by Gibson on the original machinery. available in candy apple red, cherry sunburst, light burst and tri-burst 
Gibson Firebird VII Electric Guitar Red Metallic Gold Hardware
Performance, playability, and styling are the hallmarks of the Firebird VII. When first introduced in 1963, the Firebird VII was celebrated for its natural feel, fast action, and wide range of tone. With its 9-ply mahogany and walnut neck-thru-body design, 6-in-a-line banjo-style machine heads and adjustable ABR bridge with Vibrola tailpiece, this guitar became the rage. The new Firebird VII also features replicas of Gibson's high-output mini humbucker producing bright and focused output, while retaining the famous Gibson humbucker performance. The ebony fingerboard and Lyre Vibrola add to its expressive range. 
Gibson Les Paul Standard 50s Neck Heritage Cherry Sunburst Nickel Hardware
Exclusive Alnico V pickups with classic neck and head.
The feel and sound of the original '50s LP comes from a classic, hefty neck design with the smaller peghead, push-in-bushing green tuning keys, and nickel hardware. Staggering looks with brilliant transparent finishes on figured maple tops. Burstbucker V pickups feature Alnico V magnets like those used in the P90s from the '50s. One coil has more wraps than the other, as did most '50s and early '60s "Patent Applied For"s. These waxed, double-potted pickups deliver a tighter, balanced, biting tone with more midrange. Mahogany body and neck withrosewood fretboard. Includes hardshell case.
Gibson Custom Shop L-4 CES Mahogany Electric Guitar Natural
All of Gibson's century-long experience crafting high-quality archtop instruments can be felt when you lay your hands on this delicious, full-bodied jazz machine. The precision-carved solid spruce top emits a sonorous, silky, deep, rich tone. Full binding with a sharp multi-ply binding on the top combines with a multilayer pickguard, goldtop-style knobs, pearl parallelogram inlays on the ebony fretboard, a substantial gold-plated brass tailpiece, and an ABR-1 bridge with pearl inlays in the ebony base to make this one astoundingly gorgeous electric guitar with vintage appeal. But the real beauty rings through when you plug it in. 2 - '57 Classic Humbuckers with individual volume and tone controls generate a phenomenally smooth sound with a thick midrange, more tonal options than you might expect, and great response to the top's vibrant resonance. The Gibson L-4 CES has a carved solid mahogany rims and back, one-piece mahogany neck. |
Gibson Custom Order guitars are unequalled anywhere because their materials, designs and craftsmanship are unavailable anywhere else. Close, even-grained spruce from trees 450 to 500 years old; solid woods, not veneered; hand carved and graduated tops and backs; precision "f" holes based upon Stradivarius violin construction... it's no wonder that these instruments are considered collector's items - rare masterpieces.
