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Gibson Faded Flying V
New faded finish gives it the look of a seasoned performer.
When the original V came out in '58, it was ahead of its time. When it was reissued 9 years later, it became a favorite of progressive rockers and still is to this day. This Faded Flying V has all the features and specs of the '67 model and the look of a guitar that has been loved and cared for since those early days.
Gibson Angus Young Signature SG Nickel Hardware
A faithful reproduction of Young's trademark axe! It's exact, even down to the worn engraving on the Lyre Vibrola tailpiece. Mahogany body and neck, 22-fret rosewood fingerboard with pearl trapezoid inlays, single-bound neck, nickel hardware, a '57 Classic humbucker (neck), an Angus Signature humbucker (bridge), and devil graphic on headstock. Definitely a guitar that's made to rock "all night long."
Gibson Firebird VII Electric Guitar Red Metallic Gold Hardware
Performance, playability, and styling are the hallmarks of the Firebird VII. When first introduced in 1963, the Firebird VII was celebrated for its natural feel, fast action, and wide range of tone. With its 9-ply mahogany and walnut neck-thru-body design, 6-in-a-line banjo-style machine heads and adjustable ABR bridge with Vibrola tailpiece, this guitar became the rage. The new Firebird VII also features replicas of Gibson's high-output mini humbucker producing bright and focused output, while retaining the famous Gibson humbucker performance. The ebony fingerboard and Lyre Vibrola add to its expressive range. 
Gibson Faded SG Special
The Special has always represented a combination of looks, functionality, and value, and the new Faded SG Special maintains this tradition. Under its attractive faded finish, it is the traditional SG, with mahogany body and neck, tune-o-matic/stopbar bridge, and alnico 490 pickups. Its faded finish gives it the look of an axe that started its rockin' days in the '60s. 
Gibson Thunderbird IV Active Bass Zebra Wood
The Thunderbird IV debuted in 1963 with the original Firebird guitar series. The most highly respected of all Gibson basses, the Thunderbird was reissued in 1987 with original reverse body styling and new, special-design pickups. This limited edition T-Bird features a gorgeous zebrawood body as well as two TB Plus ceramic magnet humbuckers to dish out the rumble necessary for heavy rock and blues. 
Gibson Custom Shop L-4 CES 3-Pickup Vintage Sunburst one of a kind electric guitar
Even though Gibson had originally created the laminated top ES-175 in 1948 to fill the need for an electric version of the acoustic, carved-top L-4C, the demand still existed for an electric L-4 with a fully carved top. In the late 1950s, Gibson answered this call by releasing small runs of variously configured L-4 CES guitars, some with Charlie Christian pickups, some with alnico pickups, and some with humbuckers. This Gibson L-4 CES 3-Pickup Vintage Sunburst one-of-a-kind electric guitar is a modification of the final incarnation of the L-4 CES with 3 - '57 Classic humbuckers and solid mahogany back and sides.
Gibson SG Supreme Bass Natural
Gibson's classic dual-pickup, short scale, SG bass, has been updated with a beautiful AAA flame maple top and natural satin finish. With a slim neck for effortless playability, the SG Supreme AAA Maple bass is fast, powerful, and beautiful. A vintage-style TB Plus bass humbucker neck pickup coupled with a bass Mini-humbucker at the bridge delivers trademark tone. A real stunner. 
Gibson Firebird Studio Guitar Cherry Chrome hardware
It has the classic reverse-shape body, but with a conventional set neck, mini-Grover tuners on the side of the headstock, a tapered body, and the traditional Gibson dual-humbucker sound. Mahogany body and neck. Its studio finish and simpler hardware retain Gibson's high-quality sound and feel. Black reptile pattern hardshell case with dark grey plush interior, black shroud, and silkscreened silver Gibson USA logo. |
Gibson is constantly aware of its reputation as the world's finest fretted instrument manufacturer. And we're constantly striving to keep our reputation ... and to improve it. That's why we put a guitar through over 50 checks and tests before we put the Gibson name on it. Then Gibson inspects the work approved by line inspectors. If it can't live up to these standards, it can't live up to the Gibson name.
