|
Gibson 1963 ES-335 Historic Block Reissue Nickel Hardware
A Custom Shop marvel with the fleet feel and luxury looks of the fastest 335 ever.
In mid-1962 Gibson's fantastically popular thinline semihollow wonder machine adopted a thinner, faster neck profile and gorgeous pearloid block inlays to enhance the rosewood fretboard. This precision Historic reissue is identical in every way to the original. It's made on the original forms by some of the world's finest luthiers. 
Gibson Custom Shop Les Paul SG Custom Historic Electric Guitar with Maestro Classic White
A meticulous re-creation of a legendary guitar, the Les Paul SG Standard is back with historically accurate appointments including heel shape, holly peg veneer, tapered peghead, and vintage body shape and scarfing 
Gibson Custom Shop Custom Shop CS-336 Figured Top Electric Guitar Vintage Sunburst
Created by Gibson's Custom, Art, & Historic Division, it's a "tonally carved" guitar with a solid mahogany carved back-and-sides unit, a carved, bookmatched, figured maple top, and a center block that is an integral part of the top and back. The shape is a scaled-down version of the ES-335, offering the player more comfort from this highly refined version of the classic. Includes hardshell case Available in vintage cherry, antique sunburst or tangerine burst 
Gibson Firebird Non-Reverse
The original Gibson Non-reverse Firebirds were produced from 1966 1969 and featured a headstock with banjo styled tuners on the bass side, and a body having the bass side horn slightly longer than the treble side horn. This body style was less radical than earlier Firebird models and provided greater access to the neck, which had a fast slim-taper '60s profile giving this instrument extraordinary playability. The Gibson Firebird Non-Reverse has a 24½ scale body made of solid mahogany and a 1-piece mahogany neck with a 22-fret rosewood fingerboard. Other amenities include dot inlays, gold hardware, and an ABR-1 fixed bridge and stop tailpiece.This model has electronics similar in style to the Firebird VII (originally introduced in 1963), and is fitted with 3 Gibson mini-humbucking pickups 
Gibson Custom Shop L-4 CES Mahogany Electric Guitar Natural
All of Gibson's century-long experience crafting high-quality archtop instruments can be felt when you lay your hands on this delicious, full-bodied jazz machine. The precision-carved solid spruce top emits a sonorous, silky, deep, rich tone. Full binding with a sharp multi-ply binding on the top combines with a multilayer pickguard, goldtop-style knobs, pearl parallelogram inlays on the ebony fretboard, a substantial gold-plated brass tailpiece, and an ABR-1 bridge with pearl inlays in the ebony base to make this one astoundingly gorgeous electric guitar with vintage appeal. But the real beauty rings through when you plug it in. 2 - '57 Classic Humbuckers with individual volume and tone controls generate a phenomenally smooth sound with a thick midrange, more tonal options than you might expect, and great response to the top's vibrant resonance. The Gibson L-4 CES has a carved solid mahogany rims and back, one-piece mahogany neck. 
Gibson Les Paul Standard 50s Neck Heritage Cherry Sunburst Nickel Hardware
Exclusive Alnico V pickups with classic neck and head.
The feel and sound of the original '50s LP comes from a classic, hefty neck design with the smaller peghead, push-in-bushing green tuning keys, and nickel hardware. Staggering looks with brilliant transparent finishes on figured maple tops. Burstbucker V pickups feature Alnico V magnets like those used in the P90s from the '50s. One coil has more wraps than the other, as did most '50s and early '60s "Patent Applied For"s. These waxed, double-potted pickups deliver a tighter, balanced, biting tone with more midrange. Mahogany body and neck withrosewood fretboard. Includes hardshell case.
Gibson Custom Shop L-5 CES Electric Guitar
Tone and beauty for artistic performance!
The depth and mellowness of the Gibson L-5 CES is winning acclaim for this fine jazz guitar from the most discriminating artists. The tonal quality of the acoustic guitar and the advantages of an electric are combined in one instrument. Very few carved guitars are built each year because of the scarcity of the wood required and the handcrafting involved. The building of the L-5s is overseen by Jim Hutchins, a Gibson Builder since 1963. The process has remained relatively unchanged since the 1950s, including the hand-tuning of the top and back. Guitarists sing the praises of the comfortable vintage neck; the fast, easy action; and the rich beauty of the carved spruce top. Other features on the Gibson guitar include a figured, carved maple back with solid maple rims; a pearl inlaid ebony fingerboard; and beautiful multi white-black binding. With the creation of the L-5 in the 1920s, the modern archtop guitar was invented and it has set the standard for all carved guitars that have followed. (Click on "Private Reserve" at left to see more gorgeous pics.) 
Gibson Faded Flying V
New faded finish gives it the look of a seasoned performer.
When the original V came out in '58, it was ahead of its time. When it was reissued 9 years later, it became a favorite of progressive rockers and still is to this day. This Faded Flying V has all the features and specs of the '67 model and the look of a guitar that has been loved and cared for since those early days.
| 
