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Gibson ES-125 TC
Thinline electric guitar


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Gibson ES-125 TC description | ES-125 TC catalogue appearances | 1960 publicity sheet

1962 ES-125 TC | 1966 ES-125 TC

1966 Gibson ES-125TC
1966 Gibson ES-125 TC

Strings suitable for this guitar

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Model ES-125 TC ES-125 TDC
Available 1960-1970
Total production 5234 5556
Pickups 1 dog-ear P90 2 dog-ear P90s
Scale 24 3/4"
Body Hollow body. Maple top, back and sides. 16 ¼" wide, 20 ¼" long, 1 ¾" thin
Neck One-piece mahogany, changing to a three-piece laminate towards the end of the 1960s. Rosewood fingerboard with pearloid dot inlays. 20 frets.
Hardware Rosewood adjustable bridge, trapeze tailpiece "3 on a plate" enclosed gear tuners, ivoroid buttons. Metal parts were all nickel plated in the early sixties, moving over to chrome as the decade progressed.
Finishes Cherry sunburst only.
The ES-125 was first produced in the 1940s, but in the 1950s and 1960s it morphed into numerous variants: firstly a thinline version, the ES-125T in 1956 (T stands for thinline), followed by the double pickup version ES-125TD the next year (D for double pickup). Then in 1960, two single cutaway versions, with either one (the ES-125TC, as is the subject of this page) or two pickups (the ES-125TDC). C stands for cutaway, not Cherry which it confusingly denotes on some other Gibson instruments. Finally, in 1965, a cutaway was added to the full body ES-125, the ES-125C. All instruments were built at Gibsons Kalamazoo plant, in Michigan, USA. By 1970 they were all discontinued.

1960 ES-125TC promotional page
1960 ES-125 TC publicity page detailing the brand new ES-125 thinlines
The ES-125 TC was launched in 1960 as "a new Florentine cutaway style guitar" at a price of $189.50. The Florentine cutaway "enables the guitarist to play the higher frets with greater ease and speed". It was produced alongside it's Epiphone equivalent model, the Epiphone Sorrento. Gibson's Epiphone range was more an attempt to circumvent strict dealership limitations than create a new product: selling guitars that were Gibsons in all but name.

All of these guitars were fine instruments, yet more affordable than most Gibson electric acoustics; sales were good in the early and middle 1960s, although these instruments lost ground as the decade came to a close.

1962 Gibson ES-125TC
1962 Gibson ES-125 TC

The following description is taken from the 1966 Gibson catalogue

An outstanding guitar in the popular price field, this thin-body Gibson is ideal for home or professional playing. It is light in weight and easy to hold with deep, modern cutaway.

FEATURES: Arched maple top and back with matching rims, chrome-plated metal parts. Slim, fast, low action neck joins body at the 14th fret. One-piece mahogany neck, adjustable truss rod. Rosewood fingerboard, pearl dot inlays. Powerful pickups with individually adjustable pole-pieces. Separate tone and volume controls. 16 ¼" wide, 20 ¼" long, 1 ¾" thin; 24 ¾" scale, 20 frets.

ES-125TDC - Double pickups - Cherry sunburst finish ES-125TC - Single pickup - Cherry sunburst finish 519 - Faultless plush-lined case 304 - Archcraft plush-lined case 104 - Durabilt case ZC-19 - Zipper cover for 519 case

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Gibson ES-175 Guitar
Gibson Custom ES-175 Electric Guitar

The Gibson ES-175 Electric Guitar debuted in 1949. With a comfortable body size and stylish pointed cutaway, it quickly became the most popular guitar of the jazz world. The transparent finishes (sunburst with gold hardware or antique natural with nickel) on the laminated maple body of this reissue electric guitar always remind you that you're touching wood. Binding on the top, back, and fretboard, combined with a trapeze tailpiece and parallelogram fretboard inlays, provides a big touch of class. Traditional Gibson design and 2 '57 Classic humbuckers dish out huge helpings of tone. Gibson includes a hardshell case with the reissue ES-175.

Epiphone ES-175 Electric Guitar
Epiphone ES-175 Electric Guitar

The Epiphone ES-175 Electric Guitar brings back one of the world's most beloved instruments. In 1949 Gibson introduced the ES-175 to enduring and well-deserved acclaim. Since it was primarily an electric guitar, it didn't need the very large dimensions of a classic archtop, but it still benefited from the full hollowbody resonance of an archtop design enhanced by Gibson's fabulous new humbuckers. This Epiphone version has the same sumptuous vintage vibe of the original, including dual Alnico Classic humbuckers, a meticulously applied sunburst finish, split parallelogram fretboard inlays on a bound rosewood fretboard, rosewood bridge base, gold top hat knobs, and deco trapeze tailpiece.