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Gibson ES-175 and ES-175D
Catalogue appearances


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Gibson ES-175D description | ES-175 Catalogue appearances | ES-175 timeline

1954 ES-175 | 1966 ES-175D | 1967 ES-175D | 1970 ES-175D | 1974 ES-175D | 1979 ES-175D

1958 Gibson electric guitar and bass catalogueFrom the 1958 Gibson electric guitar and bass catalogue

Extremely easy to play and comfortable to hold

1960 Gibson full line catalogueFrom the 1960 Gibson electric guitar and bass catalogue

The Florentine cutaway design provides easy access to the entire fret range

1962 Gibson full line catalogueFrom the 1962 Gibson electric guitar and bass catalogue

Beautiful arched top and back of select maple with matching rims, black-and-white ivoroid binding

1963 Gibson electric guitar and bass catalogueFrom the 1963 Gibson electric guitar and bass catalogue

Easy to play and comfortable to hold, it produces a brilliant distortion-free tone

Gibson 1966 Full Line catalogueFrom the 1966 Gibson full line catalogue

The modern cutaway design provides easy access to the entire fret range

1970 Gibson electric acoustics catalogueThe 1970 Gibson electric acoustics catalogue

Easy to play and comfortable to hold




1978 Gibson catalogueThe 1978 Gibson catalogue also shows the ES-175CC - the Charlie Christian model, with one single coil Charlie Christian pickup

1983 Gibson catalogueFrom the 1983 Gibson catalogue

The new ES-175D is a response to practical input from players who want a more focused sound for expressive applications. It is built with an arched maple top bound to a mahogany back and matching rims. It feels the same as the original ES-175, but the characteristically full acoustic sound emerges with a greater degree of warmth.

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